The Woolworths Museum


The wonder of ... advertising

The only type of advertising endorsed by the founder Frank W. Woolworth - advertisements to promote the opening of new stores.  (With special thanks to John Compton)


In the early days of Woolworth's only new store openings were advertised. The founder, Frank Winfield Woolworth, said "Dress your windows twice a week with big leaders with prices attached. That  is our advertising".

There were occasional exceptions, like the launch of own label cottons and sewing notions, and bullseye rings during the Great War. But these were rare.

It was only in the 1950s that increased competition prompted regular advertising. A major press campaign in the USA generated good results. This was supplemented by 'The Woolworth Hour' on CBS Radio. Initially the idea was not adopted in the UK where sales and profit were booming.

 

In 1959, with encouragement from New York, there was a wall-to-wall press campaign in Britain, along with the first tv commercials to promote the Golden Jubilee of the subsidiary. Afterwards the Board concluded that print had been most effective. They continued to use the medium throughout the Sixties.

Then in November 1971 there was a new departure.  A twenty page Christmas Catalogue was stapled into the Radio Times, which was the nation's largest circulation magazine. This showed the extensive range of toys, gifts and electrical appliances. Woolworth was the first company to distribute its catalogue to a wide audience in this way. As the idea developed, the best products could be ordered by mail using a new "Woolworth by Post" service. The firm went on to publish a Christmas Catalogue every Christmas until 2008, but dropped the mail order idea in 1982, restoring it for a spell from 1998-2001 and, as The Big Red Book, from 2006-2008.

In 1976 another innovation brought money off coupons in the catalogues, which encouraged shoppers to buy early. The idea stimulated the sale of more than 100,000 electronic organs in 1976 and became regular feature over the following 32 years.

 

Woolworth was the first retailer to distribute Christmas catalogues as a centre-spread insert in the UK's main television listing magazines - the Radio Times (from 1971) and the TV Times (from 1973)

 

The catalogues were a hit. They were soon copied by rivals like Boots the Chemist and W.H. Smith. Keen to stay ahead a more radical solution was implemented for Christmas 1975, as Woolworth's block-booked peak-time television advertising. The leading Ad Agency Allen, Brady and Marsh ('ABM') promised to repeat the success of its catchy 'This is the age of the train' campaign for British Rail (fronted by a DJ who can no longer be mentioned in polite society). The Agency excelled with a memorable campaign that added a new word to the Woolworth vocabulary that remained with the business more thirty years after the commercials last screened. Rod Allen wrote the jingle 'That's the wonder of Woolworth' and the tune 'The Wonder March', which was performed by the Winfield Brass. His business partner Peter Marsh filmed the action. He came up with the concept of the 'parade of stars', which continues to be used by a number of retailers in the twenty-first century.

 

Legendary comedian Leslie Crowther hosted one of the first Wonder of Woolworth adverts for Magnus Organs in 1975.  At the keyboard is Nicola Greenwood, a young customer

 

Many celebrities featured in the Wonder of Woolworth advertising, but none could beat the virtuouso performances of a very young Noel Edmunds (left) Georgie Fame (centre) and Sir Jimmy Young (right)

 

The commercials varied in length from 30 seconds to the whole ad break. They regularly featured a galaxy of stars. Georgie Fame and Sir Jimmy Young both did two or three minute slots to camera.  Over the years there were lots of walk-on cameo appearances, from both stars and personalities in the news.  See how many people you can recognise from walk of fame, which spans the years 1977 to 2007.

 

Walk of the stars - some of the top flight personalities who have starred in Woolworths tv commercials over the years

 

A Worthing customer adjusted the sign just inside their local Woolworth store. The staff agreed with the sentiment and left the defaced sign on display until the firm finally improved their lighting.

 

Among the favourite TV campaigns of the era was Sir Harry Secombe's "Everybody Needs Woolworth" from 1979.  It featured spoof pantomime sequences in which Harry (Aladdin) sang the names of as many products as possible in a commercial of up to three minutes' duration. At the end ("look behind you") a parcel fell from the sky and swallowed the rumbustuous former Goon. It finished with a muffled "it ain't half dark in here, where's my lamp?".

Customers at the Worthing, West Sussex, Woolworth's, (which at the time had notoriously poor lighting,) had been asking "where's my lamp?" for years. One of them adapted the sign at the front of the store!

 

Sir Harry Secombe starring in the "Everybody Needs Woolworth" television campaign at Christmas 1979.  Like the best pantomime, some people loved it and some people shouted "Oh no they don't", much to the annoyance of company bosses.

 

Alongside the salvo on television, the banner print campaign continued. Some spreads featured specific products and promotions, while others concentrated on the brand. In 1980 investors and City analysts became the target.

 

Woolworth became a big press advertiser during the 1970s, with a mixture of brand, product and corporate advertising - much of it linked to campaigns on ITV.

 

From a series of corporate advertisements pitched at investors that Woolworth placed in The Times and Financial Times in 1981.  It is thought that they helped attract predators to the business.

 

 

As part of the new corporate advertising Woolworth invested £100k to place a series of full page advertisements in the London Times and the Financial Times in 1981. The objective was to respond to City page criticism of what they considered to be lacklustre profit performance. The adverts sought to communicate the Board's strategy to revitalise the business. The copy highlighted the progress Woolworth had made in establishing large shares in its chosen new markets. It also flagged untapped potential which the Board was working to realise.

Only months after the campaign ran, a potential bidder for the British subsidiary approached its US parent in secret. The campaign, which was intended to defend the British Woolworth from predators, had achieved exactly the opposite result!